Complementary
Two colors from opposite sides of the wheel. They make each other look more vivid, which is why the pairing is used for anything that needs to stand out.
A white screen is a display filled edge to edge with pure white. It is used to spot dust and smudges when cleaning a monitor, to reveal dead or stuck pixels, as a soft fill light for video calls and photography, and as a makeshift lightbox for tracing.
Quick colors, then fill the screen
Or a gradient
Or let it move
Every value for #FFFFFF, ready to paste. Click any code to copy it.
| Channel | Decimal | Share | Hex | Octal | Binary |
|---|---|---|---|---|---|
| Red | 255 | 100% | FF | 377 | 11111111 |
| Green | 255 | 100% | FF | 377 | 11111111 |
| Blue | 255 | 100% | FF | 377 | 11111111 |
The nearest web-safe color is #FFFFFF, from the 216-color palette browsers agreed on before displays could be trusted with more.
Every step is generated from #FFFFFF. Click a swatch to copy its hex.
A shade is the base color with black mixed in. Shades read as deeper and more dramatic, and they are what you reach for when a color needs to recede or carry weight.
A tint is the base color with white mixed in. Tints turn pastel as they lighten, which makes them useful for backgrounds and for anything that has to sit behind text.
A tone is the base color with grey mixed in. Tones lose the shout without losing the hue, and they are usually what separates a considered palette from a loud one.
The same color as the 50 to 950 ladder every CSS framework uses, with #FFFFFF at 500. Click a step to copy its hex, or take the whole scale as variables for a design system.
Harmonies are positions on the color wheel rather than matters of taste, which is why they keep working across very different designs.
Two colors from opposite sides of the wheel. They make each other look more vivid, which is why the pairing is used for anything that needs to stand out.
Three neighbours on the wheel. Nothing competes, so the result reads calm and settled, closer to how colour behaves in nature.
The base plus the two colors either side of its complement. It keeps most of the contrast while being much easier to balance.
Three colors spaced evenly around the wheel. Strong and lively, and usually best with one dominant color and two accents.
Two complementary pairs, forming a rectangle on the wheel. The richest scheme available, and the hardest to keep from shouting.
One hue at different lightness levels. Effortlessly cohesive, and the safest way to build a palette around a brand color.
Near neighbours, for when this color is almost right. Each one shifts hue, saturation or lightness by a small step.
Five-color palettes built around #FFFFFF, each following a different scheme. Click any swatch to copy it, or open the generator to build your own.
Open the palette generator to lock the colors you like and regenerate the rest.
Whether white works as text, and what to put on top of it when it is the background. Ratios follow WCAG 2.1, where 4.5 is the bar for body text and 3 for large text.
Large text at 24 pixels
Body text at 16 pixels. A flat field of color removes every variable, which is what makes it useful for judging a display.
Large text at 24 pixels
Body text at 16 pixels. A flat field of color removes every variable, which is what makes it useful for judging a display.
Used the other way round, #FFFFFF as a background takes #000000 text. That is the higher-contrast of the two, and it is what the tool picks automatically for any chrome sitting on your color.
White reads better on a black background of the two. Contrast is a property of the pair, not of one color, so a color that fails here can still be perfectly usable against a different partner.
What this color does, where it works, and what it reveals about the screen showing it.
The only color where every subpixel runs at full output at once. That makes it the brightest thing a display can show, the most power-hungry on an OLED panel, and the most revealing surface for anything sitting on the glass in front of it.
White is
Cleaning, because dust and fingerprints scatter light and turn into visible grey clouds against a uniform field. Tracing, because a tablet showing white is a lightbox. And video calls, which has quietly become the most common reason people open a tool like this at all.
White reads as clean, clinical and empty, which is exactly why galleries and product photography use it. It carries no mood of its own, so it lets whatever sits in front of it do the talking. In a dark room at full brightness it stops feeling neutral and starts feeling like glare.
Because all three subpixels fire together, a single dead subpixel hides completely on white. A fully dead pixel still shows as a dark dot. This is why a proper panel check cycles white, black, red, green and blue rather than stopping at the first one.
A phone, tablet or laptop filled with white is a genuinely good soft light source, because the panel is large relative to your face. That size is what softens the shadows, and it is what photographers pay real money for. Drop the brightness if it looks harsh, and try warm white if plain white feels cold against your skin.
Night-shift modes and blue-light filters tint white toward orange, and adaptive brightness changes the level under you mid-task. Turn both off before judging a panel or using the screen as a reference light, or you are measuring your settings rather than your display.